How to Grow a Band: Reaching for Resolution

This review is republished from Nick Bruno’s blog, The Rain Falls Down on Portlandtown.

Personally, I had never heard of Chris Thile or his former band Nickel Creek before viewing Mark Meatto’s How to Grow a Band, a documentary about Thile’s post-breakup (of both his band and marriage) efforts to rebuild his musical persona via a radically different angle on the roots-based music he’s played since childhood.  Thile picked up the mandolin at the age of five and, if the testimonials of such musical luminaries as John Paul Jones and Yo-Yo Ma are to be believed, he’s a musician of uncommon talent.  Now at a crossroads in his career and personal life, the mandolinist finds himself writing a 45-minute, classical bluegrass string quintet for his new band The Punch Brothers.

Meatto’s film spends a lot of time intimately peering in on Thile and his bandmates’ interpersonal relationships as they tour this new music around the country.  For all that focus, there are only hints of tension followed by a few terse band deliberations about how to make the difficult music being played more palatable to audiences.  Various members of the band think that some compromises can be made to audiences; Thile disagrees and shuts down every time the topic is broached.  Even with Meatto’s cameras capturing discussions that exclude Thile from the conversation, the overall effect of all this polite disagreement is a rather toothless reading of the conflict present in something like the far superior Sam Jones documentary I Am Trying to Break Your Heart.

Fortunately, the film knows what to do when it’s time to witness what the band does best.  It would be a complete disservice to the audience if, when conveying the four movements of their “The Blind Leaving the Blind” quintet, the standard music doc practice of cutting away from the performances was employed too prematurely.  To Meatto’s credit, he knows when to stay in the moment; there are extensive sequences throughout the film of the band playing the piece and the film is even divided into sections that relate to each movement.

How to Grow a Band sheds any reservations one might have about the individual personalities within the band and truly comes alive in these moments.  Just like the music being featured, it’s a difficult concoction that only periodically reaches for resolution.

How to Grow a Band screens at the NW Film Center’s Whitsell Auditorium (in the Portland Art Museum) on Friday, June 29th and Saturday, June 30th at 7pm and 9pm.  More info available here.

The Extraordinary Voyage: The Avatar of the Silent Era

This review is republished from Nick Bruno’s blog, The Rain Falls Down on Portlandtown.

A gathering of scientists discuss, design and, eventually, pile into a spacecraft that takes them on a fantastic journey to our nearest satellite.  This simple outline constitutes the majority of the action in Georges Méliès’ groundbreaking 1902 fantasy short, Le Voyage dans la Lune (A Trip to the Moon).

The Extraordinary Voyage tells the tale of how Méliès came to develop the techniques and audience that would allow him to undertake what was the most ambitious film-making production of its time, described as both the first international blockbuster and the Avatar of the silent era.

Interviews with Jean-Pierre Jeunet (Delicatessen), Michel Gondry (Eternal Sunshine of the Spotless Mind), Costa-Gavras (Z) and, oddly, Tom Hanks (The Da Vinci Code) establish Méliès position in the canon as the first filmmaker to break away from the film as mere document, introducing dramatic devices pulled from the stage.

The crux of The Extraordinary Voyage is of more modern concern, detailing the discovery of a hand-colored version of Le Voyage dans la Lune and the painstaking restoration of that print.  The piece does a good job of detailing the challenges of the process without dwelling too long on the technical aspects of the task.  And its easy as a viewer to root for the restoration team and their small victories as the film is rescued frame by frame.

The real treat of the presentation, however, comes after the documentary reaches its end.  The chance to see the restored, color version of A Trip to the Moon projected on a large screen is not to be missed.  Featuring a new soundtrack by the French musical duo Air, A Trip to the Moon vibrates with an unexpected amount of energy, more than a century after its conception.

Contemporary audiences may have endless amounts of onscreen fantasies and spectacle to choose from nowadays, but this is a rare opportunity to see one of the earliest examples as it was meant to be experienced, in a theater setting.  Do not pass it up.

The Extraordinary Voyage screens at the NW Film Center’s Whitsell Auditorium (in the Portland Art Museum) on Sunday, July 1st at 7pm and Sunday, July 8th at 7:30pm.  More info available here.

AYT #24: Hey Ladies, A Movie For You?

It’s raining men this week as Joe and Erik review the latest Steven Soderbergh film, the male stripper saga “Magic Mike.” In the second segment of the show they digress in to a chat about chick flicks (even though they hate that term), and then finish things off with another edition of Love it/Hate it.

New episodes of Adjust Your Tracking are released every Thursday, so make sure to come back and check out what Joe and Erik are discussing every week. We’d love to hear your feedback in the comments section, or feel free to email adjustyourtracking@gmail.com or follow us on Twitter at twitter.com/adjustyourtrack. We’re on iTunes now, so make sure to subscribe to the show by clicking the link below. Also, leaving reviews and rating the show on iTunes is really helpful in getting more attention and attracting more listeners, so please do so if you like what we do. You can also stream the episode on the embedded player below.

WARNING: Explicit language is used in this podcast.


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HOW TO GROW A BAND

HOW TO GROW A BAND provides a gripping look at the beginnings of one of America’s most promising young bands, The Punch Brothers, and explores the tensions that test young artists: individual talents and group identity, craft and commerce, innocence and wisdom. Featuring Yo-Yo Ma and Sara Watkins, among many others.

 

Visit The Punch Brothers artists page with updated interviews, features and/or performances archived at NPR Music.

 

Showtimes and Tickets here

 

June 29, 30, Fri, Sat 7, 9PM.

 

THE EXTRAORDINARY VOYAGE + A TRIP TO THE MOON

 

The magical Georges Méliès, one of the celebrated heroes of Martin Scorsese’s recent HUGO, was the creator of one of the most unforgettable images in cinema—the Man in the Moon being poked in the eye by a rocket ship. This fascinating documentary charts the film’s voyage from production in 1902 to the astonishing rediscovery of a color nitrate print in 2003 and its premiere at Cannes in 2011. (60 mins.)

Thanks to one of the most technically sophisticated restorations in film history, we will also be screening the original A TRIP TO THE MOON, unseen for over 109 years, it is the first outer space adventure in the history of cinema in which six members of the Astronomers’ Club set off on a lunar expedition, encounter the Selenites and flee their King, and return home to a triumphant parade. A TRIP TO THE MOON will be screened in its fully restored 1902 colors with an original soundtrack by the French music duo Air. (19 mins.)

For showtimes and tickets click here.

Sun, Jul 1, 7PM and Sun, Jul 8, 7 PM

Tonight in Czech Cinema, Václav Havel’s LEAVING

Before becoming the first president of free Czechoslovakia after 1989 and a world-celebrated politician, Václav Havel was first and foremost a great playwright. After leaving office, Havel returned to writing and to a theme of his from the ’70s about a womanizing politico at the time of life when he is no longer the center of attention. A searing satire, this work of theater on film fulfilled Havel’s lifelong dream of making a movie.

For showtimes and tickets click here

Fri, June 22, 7PM, Sun, Jun 24, 5 PM

AYT #23: Apocalypse Meh

It’s a review-heavy episode as we chat about three new films coming out this weekend, Abraham Lincoln: Vampire Hunter, Your Sister’s Sister and Seeking a Friend for the End of the World. And in the second half of the show, we get in to a discussion of apocalypse movies.

New episodes of Adjust Your Tracking are released every Thursday, so make sure to come back and check out what Joe and Erik are discussing every week. We’d love to hear your feedback in the comments section, or feel free to email adjustyourtracking@gmail.com or follow us on Twitter at twitter.com/adjustyourtrack. We’re on iTunes now, so make sure to subscribe to the show by clicking the link below. Also, leaving reviews and rating the show on iTunes is really helpful in getting more attention and attracting more listeners, so please do so if you like what we do. You can also stream the episode on the embedded player below.

WARNING: Explicit language is used in this podcast.


Subscribe via iTunes

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Not Yet Begun to Fight: A Quest for Healing

This review is republished from Nick Bruno’s blog, The Rain Falls Down on Portlandtown.

Following last year’s awe-inspiring but nearly hopeless Hell and Back Again, it’s refreshing to see the subjects of Not Yet Begun to Fight deal with the everyday struggles of returning home from war with some semblance of optimism that life can be reclaimed, even when facing down strong odds.  The film focuses its attention on a group of severely disabled veterans taking part in a six-day, fly-fishing excursion put on by Warriors and Quiet Waters, the brainchild of Eric Hastings, a retired Marine colonel and veteran of the Vietnam war.

After his combat experience came to a close, Hastings was able to center himself and find healing through the meditative practice of catch-and-release fly-fishing.  Acknowledging the power that it had over his own recovery process, he sought to give others the experience of returning a creature outside one’s self back to the waters, an act that he highlights as running completely counter-intuitive to the forms of cruelty one must embrace to survive in combat.  With the other members of the Warriors and Quiet Waters organization, Hastings has made that dream a reality, offering a form of catharsis to veterans that’s as uncommon as it is effective.

Directors Shasta Grenier and Sabrina Lee allow each of the men on the trip to tell their own stories.  Most are struggling to relearn physical and mental skills possessed since childhood, while some want nothing more than to return to combat.  The film balances their personal tales with quiet moments of observation and beautiful imagery that evokes the importance that place holds in the form of therapy being practiced.

Perhaps most moving of all, though, is Hastings’ own story: here is a man who found peace in the wake of chaos.  In the most frank moment of the film, Hastings frames his use of fly-fishing as therapy as “an absolute desperate, physical and mental need,” admitting that he “had to do it or I was going to kill somebody.”  Admirably, rather than just focus on his own recovery, the soothing ritual has moved him to help others find respite after unimaginable loss.

Not Yet Begun to Fight is a gracefully-told, inspirational investigation into an often marginalized population’s quest for healing.  Highly recommended.

Not Yet Begun to Fight screens at the NW Film Center’s Whitsell Auditorium (in the Portland Art Museum) as a part of their ongoing Northwest Tracking series on Thursday, June 21st at 7pm.  Director Sabrina Lee will be in attendance at the screening.  More info available here.

Not Yet Begun To Fight screens tomorrow. Director Sabrina Lee in Attendance

Retired Marine Colonel Eric Hastings found his own healing after returning from Vietnam by tying a fly onto his fishing line and casting it into the rivers that flowed through his home state of Montana. Forty years after his return from Vietnam, Hastings now invites a new generation of warriors for a therapeutic week of catch and release fly-fishing.

Screens at the Northwest Film Center – Whitsell Auditorium. Showtimes and Tickets here

Plays June 21, 7PM

New Czech Cinema starts tonight!

The Northwest Film Center presents New Czech Cinema June 15 – 24 at the Whitsell Auditorium.  For showtimes and tickets click here

 

Director Bohdan Sláma’s FOUR SUNS is about a middle-aged man in a downward spiral who sees his teenage son making the same mistakes he did.

 

Plays June 16, 19 Sat 7pm, Tue 7pm.

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