Cirkus Columbia

The NW Film Center brings director Danis Tanovic’s (Triage, No Man’s Land) sexy, communicative adaptation of Ivica Djikic’s novel Cirkus Columbia to the screen today, February 21st, as part of PIFF 35.

The setting is Bosnia and Herzegovina, 1991. The communists have fallen from power. Divko Buntic returns to the small town where he grew up after a 20-year exile in Germany. With a flashy red Mercedes, a voluptuous young girlfriend named Azra, his lucky black cat Bonny, and a pocketful of Deutschmarks, Divko forcefully evicts his estranged wife Lucija in order to take his home back.

When Bonny the cat disappears, the whole town joins in a frantic search to get the cash reward, simultaneously putting strain on Divko’s fragile relationship with Azra and his attempted reunion with his 20-year-old son Martin. Not so unexpectedly, Azra and Martin are strongly attracted to each other. Disruption and clandestine activities ensue, but while these plot lines unravel daily, everyone seems unaware of the mounting political unrest around them: Croatia has seceded, all Yugoslavs are being forced to take sides, and the Serbs begin bombing Dubrovnik. Although their area is on high alert, many still can’t imagine anyone or anything could divide Bosnia and Herzegovina.

Cirkus Columbia is Danis Tanovic’s most recent film about war and its consequences. It is set in the period before the conflict reaches his native Bosnia & Herzegovina, while his 2009 film Triage dealt with post-war trauma, and his 2001 debut feature No Man’s Land took place in the midst of the Bosnian war in 1993 and won the Oscar and Golden Globe for Best Foreign Language Film, as well as Best Script prizes at the Cannes Film Festival and European Film Awards; the widely acclaimed film received over 40 international awards, making it one of the most awarded first feature films in history. With Cirkus Columbia, one could say that Tanovic has come full circle, giving audiences a glimpse of the before, during, and after of war in that part of the world.

See it at 8:45 PM (Lloyd Mall 6).

(Cirkus Columbia review taken in part from Match Factory)

Life Without Principle

Director Johnnie To (The Heroic Trio, Election, Exiled) has been known for bringing fast paced action films to the screen, until now. With his latest film Life Without Principle he takes a sharp turn into a slowly unfolding financial thriller that is both a testament to the aggressive greed and fanatical wealth hoarding that grips so many of the people in contemporary Hong Kong.

The film tells the story of three characters. First, there is financial analyst Teresa (Denise Ho) who is forced to sell high-risk securities to customers in order to keep her job. Then comes Panther (Lau Ching Wan), a small time thug who messes around with the futures index in order to make enough money to post bail for a friend. Finally, Cheung Ching Fong (Richie Ren) is an upright and honest police inspector suddenly plunged into financial misfortune when his wife presses him with an ultimatum. In desperate need of money, each character is forced to make questionable choices when a middle-aged loan shark is killed for his bag of millions and a whole lot of money suddenly turns up “available.”

Director To brings out solid performances from his alumni cast, who deliver unflinching looks at a time of financial strain when desperation and compromise can make even the best of us act like ruthless maniacs. The Vancouver Film Festival had this to say of To’s directorial excellence: “[He] shows his mastery of urban space, tension, and action … [and is] one of contemporary cinema’s preeminent visual structuralists.”

Catch Life Without Principle at this year’s PIFF35. Showing on Sunday February 12 at 8 PM (Whitsell Auditorium), Tuesday February 21 at 6:15 PM (Lloyd Mall 6), and Thursday February 23 at 8:45 PM (Cinemagic).

Monsieur Lazhar

Last month, Toronto film critics named Philippe Falardeaus Monsieur Lazhar as their best Canadian film of 2011. The Quebec film, which is Canada’s contender for the best foreign language film at this year’s Academy Awards, beat out another French-language film, Jean Marc Vallees Cafe de flore, and David Cronenberg’s A Dangerous Method, for top honors at the Toronto Film Critics Association kudosfest in Toronto. Monsieur Lazhar, which is from the producers of Incendies (last year’s audience favorite at PIFF34) has also earned the best Canadian feature film prize at the Toronto International Film Festival.

Monsieur Lazhar is Falardeau’s fourth feature length film, and not to be missed. Set in Montreal, it begins with the suicide of a female elementary school teacher. Bachir Lazhar, an Algerian immigrant, is quickly hired to replace her while he is experiencing a personal tragedy of his own. His wife, who was a writer, died in a criminal arson attack with her daughter and son, a fire caused by targets (along with their associates) of the last book she wrote dealing with the social and economic shortcomings in present-day Algeria, from which comes the phrase eloquently said by Bachir: “Nothing is ever really normal in Algeria.” He gets to know his students despite the cultural gap that is evident from the very first lesson. As the class tries to move on from their former teacher’s suicide, nobody at the school is aware of Bachir’s painful past, who could be deported at any time given his status as a refugee.

PIFF35 brings Monsieur Lazhar on Saturday Feb 11 at 3 PM (Lake Twin Cinema), Monday Feb 13 at 6:15 PM (Lloyd Mall 6), and Wednesday Feb 15 at 8:45 PM (Pioneer Place 5).

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