The scoop on all things Film Center.
Were you unable to attend the PROJECT VIEWFINDER premiere screening on May 1st?
Well, not to worry! It’s now available to view online!
Please click here to answer a few quick questions about your experience watching this film.
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Were you unable to attend the PROJECT VIEWFINDER premiere screening on May 1st?
Well, not to worry! It’s now available to view online!
Click here to continue watching part 2
Please click here to answer a few quick questions about your experience watching this film.
Receiving feedback is important to help us show our funders the value of this work. Thank you for your support.
“Celebrated French writers Pierre Boileau and Thomas Narcejac, who wrote together under the nom de plume Boileau-Narcejac, are best known for such works as the novel D’ENTRE LES MORTS which inspired Alfred Hitchcock’s VERTIGO (1958), the adaptation of Jean Redon’s novel LES YEUX SANS VISAGE into Georges Franju’s EYES WITHOUT A FACE (1960), and the novel CELLE QUI N’ÉTAIT PLUS from which Henri-Georges Clouzot fashioned his cult classic DIABOLIQUE (1955). Chechik’s 1996 version of DIABOLIQUE, which recounts the story of the wife and mistress of a cruel schoolmaster who try to do him in, was a box office and critical disaster, despite the presence of actresses Sharon Stone and Isabelle Adjani and Chechik’s faithfulness to the original text. A case study in adaptation and remake; at the same time, perhaps due rehabilitation.”—PF (107 mins.)
DIABOLIQUE screens on Tuesday, May 21 at 7p.m. in our Whitsell Auditorium (located in the Portland Art Museum). The film is being presented as part of our Literature Into Film series.
Advanced tickets are available for purchase here.
Buñuel employs the beautiful Catherine Deneuve in a chilling surrealist horror story of individuals destroyed by the moral codes of a corrupt society. Set in Toledo, Spain in the 1920s, an innocent orphan girl is seduced by the aristocratic Don Lope, her Mephistophelean old guardian (Fernando Ray), whom she eventually comes to surpass in cynicism and perversity. Full of Freudian imagery and dark, outrageous humor, TRISTANA is “nothing less than the quintessential Buñuel film of all time … Never before has Deneuve’s beauty seemed more precise and enigmatic.”—Vincent Canby, The New York Times. “[The] scenes have an almost hypnotic power because Buñuel himself finds their images so fascinating … He is having at our subconscious like a surgeon.”—Roger Ebert (95 mins.)
Newly restored to its original glory by the Cohen Film Collection and Filmoteca Española, Madrid.
TRISTANA screens on Saturday, May 18 at 7p.m. and 9p.m. and Sunday May 19 at 7p.m. in our Whitsell Auditorium (located in the Portland Art Museum).
Advanced tickets are available for purchase here.
Check out photos from our April 30th GLOBAL CLASSROOM screening of LOUDER THAN A BOMB, with special guest Lamar Jorden (featured in the film):
Global Classroom links Portland metro area high schools with the films and filmmakers of the Portland International Film Festival through free, school-day screenings during the Festival in February and during the academic year. Screenings take place in the Film Center’s Whitsell Auditorium inside the Portland Art Museum and are offered free of charge. Through the films, students learn about topics related to foreign language, social studies, language arts, and other academic areas. Many screenings are presented by visiting filmmakers, who discuss how films are made, film careers, and film festivals.
Photos by Jason E. Kaplan
“Novelist David Ely is frequently cited as a science fiction writer. He should be listed instead as a metaphysical writer, a category that has few followers in America, which perhaps explains why this masterpiece was so little seen. Seeking to make an auteur film, Frankenheimer was attracted by Ely’s unusual Faustian story, which combined horror, suspense, science fiction, mythology, psychology, and more. Assisted by cinematographer James Wong Howe, screenwriter Lewis John Carlino, composer Jerry Goldsmith, and actors John Randolph and Rock Hudson, Frankenheimer creates an evocative atmosphere to tell the story of a disillusioned man who enlists a secret agency to help him fake his death and emerge with a new life.”—PF (106 mins.)
SECONDS screens on Tuesday, May 7 at 7p.m. in our Whitsell Auditorium (located in the Portland Art Museum). The film is being presented as part of our Literature Into Film series.
Advanced tickets are available for purchase here.
Isabelle Huppert plays Maria Vial, a white, coffee plantation owner in an unnamed central African country deep in the throes of political and social upheaval. Through a series of harrowing encounters, Maria is faced with a choice: to flee a populace, many of them young, who seek retribution and the expulsion of her and her family, or to stay and protect all that she knows, however fleeting that may prove. Employing the laconic observational style developed over her twenty-plus-year career, tensions mount until explosive inevitability. “With grave tenderness, Denis reminds us that these murderous, tragically lost boys and girls are still children, a gesture that doesn’t restore their humanity—which she has no right to restore—so much as remind you of the humanity that’s so easily forgotten.”—Manohla Dargis, The New York Times (106 mins.)
WHITE MATERIAL screens on Sunday, May 12 at 7p.m. in our Whitsell Auditorium (located in the Portland Art Museum). The film is being presented as part of our Claire Denis retrospective, THE LYRICAL SPACE OF CLAIRE DENIS.
Advanced tickets are available for purchase here. Series passes are available here for $45 (an $109 value!).
Based on the autobiography of French philosopher Jean-Luc Nancy, with whom Denis has a close working relationship, THE INTRUDER follows Louis Trebor, a middle-aged man in need of a heart transplant. As Trebor traverses the globe, seemingly shopping the black market for a new heart, his son Sidney re-enters his life after years of estrangement. The specter of another son, conceived out of wedlock and possibly living in the Caribbean, threatens to interrupt their bond. While almost certainly Denis’s most oblique and elliptical film, the sensuousness provided by Agnès Godard’s images and the music of Stuart Staples (Tindersticks) make the film a remarkable sensory pleasure. “Exhilarating and exhausting, the kind of picture you don’t bounce back from immediately. Yet its elusiveness is the very source of its poetic energy.”—Stephanie Zacharek, Salon (130 mins.)
THE INTRUDER screens on Sunday, May 12 at 2p.m. and Monday, May 13 at 7p.m. in our Whitsell Auditorium (located in the Portland Art Museum). The film is being presented as part of our Claire Denis retrospective, THE LYRICAL SPACE OF CLAIRE DENIS.
Advanced tickets are available for purchase here. Series passes are available here for $45 (an $109 value!).
Concept artist Dan Schaefer, (“Grimm”, MILK) will be teaching storyboarding in a one-day workshop at the School of Film.
Topics: how storyboarding saves precious dollars; the role of the storyboard artist on a crew; the range of approaches used in working with a director; short hand instruction in figure drawing, composition, and perspective; standard blocking techniques, camera shots, and camera moves; participate in an in-class, hands-on exercise and receive instructor feedback; suitable for drawing novices as well as the highly skilled; open to filmmakers of all levels.
Prerequisites: None
The workshop will be this Saturday, May 11 from 10 – 3 PM at the Northwest Film Center School of Film (934 SW Salmon).
CLICK HERE for more information about the workshop, Dan Schaefer, and to register.
Lionel, a metro conductor, lives with his daughter Josephine, a beautiful university student, in a bustling apartment complex outside Paris. They have been sharing the same space for many years and have grown accustomed to one another’s company. Lately, Josephine has started spending time with Noé, a handsome young neighbor, while Lionel finds himself drawn into a romance with Gabrielle, a close friend who also lives in the building. As their lives are pulled in different directions, father and daughter realize they must finally confront an aspect of their past in order to embrace their own destinies. 35 SHOTS OF RUM “is Denis’s warmest, most radiant work, honoring a family of two’s extreme closeness while suggesting its potential for suffocation.”—Melissa Anderson, The Village Voice (100 mins.)
35 SHOTS OF RUM screens on Saturday, May 11 at 7p.m. and Sunday, May 12 at 4:45p.m. in our Whitsell Auditorium (located in the Portland Art Museum). The film is being presented as part of our Claire Denis retrospective, THE LYRICAL SPACE OF CLAIRE DENIS.
Advanced tickets are available for purchase here. Series passes are available here for $45 (an $109 value!).
