Today at PIFF35

As we head into the final weekend of the 35th annual Portland International Film Festival there is still plenty to see. Today alone you can catch ten film screenings. Well, eleven if you count the nineteen minute French short I Could Be Your Grandmother  that screens before Lebanese documentary Grandma, A Thousand Times, both playing at the World Trade Center Theater tonight at 8:45.

Director Mahmoud Kaabour has made an incredibly sweet documentary about his 85 year-old grandmother who is nearing the end of her richly lived life. Having raised a large family, Teta Fatima Kaabour now lives alone in a small and immaculately clean apartment in Beirut. Yet she is still a hookah smoking matriarch, still a sprightly woman who haggles with street vendors and the butcher, commanding respect within her section of old Beirut. Her husband, once a successful violinist but now long deceased, is the indirect source for much of this film, since director Mahmoud Kaabour not only shares his grandfather’s name but also his looks. Exploiting this resemblance throughout, Mr. Kaabour takes on the role of both grandson and grandfather as he gets ready for his wedding day while coming to terms with the reality of his grandmother’s mortality. In Arabic, with English subtitles.

Showing earlier in the day at PIFF35 is The Island President, a film about the (until very recently) President of the Maldives, Mohamed Nasheed (Nasheed was very recently overthrown by those with political ties to the old, tyrannical regime). Having been tortured, imprisoned, and exiled, Nasheed seems unable to stop his international fight against global warming, which threatens the very existence of the 200 islands that make up the Maldives. Watch the trailer below, and then go see the film tonight at 6:15 at the World Trade Center Theater.

Cirkus Columbia

The NW Film Center brings director Danis Tanovic’s (Triage, No Man’s Land) sexy, communicative adaptation of Ivica Djikic’s novel Cirkus Columbia to the screen today, February 21st, as part of PIFF 35.

The setting is Bosnia and Herzegovina, 1991. The communists have fallen from power. Divko Buntic returns to the small town where he grew up after a 20-year exile in Germany. With a flashy red Mercedes, a voluptuous young girlfriend named Azra, his lucky black cat Bonny, and a pocketful of Deutschmarks, Divko forcefully evicts his estranged wife Lucija in order to take his home back.

When Bonny the cat disappears, the whole town joins in a frantic search to get the cash reward, simultaneously putting strain on Divko’s fragile relationship with Azra and his attempted reunion with his 20-year-old son Martin. Not so unexpectedly, Azra and Martin are strongly attracted to each other. Disruption and clandestine activities ensue, but while these plot lines unravel daily, everyone seems unaware of the mounting political unrest around them: Croatia has seceded, all Yugoslavs are being forced to take sides, and the Serbs begin bombing Dubrovnik. Although their area is on high alert, many still can’t imagine anyone or anything could divide Bosnia and Herzegovina.

Cirkus Columbia is Danis Tanovic’s most recent film about war and its consequences. It is set in the period before the conflict reaches his native Bosnia & Herzegovina, while his 2009 film Triage dealt with post-war trauma, and his 2001 debut feature No Man’s Land took place in the midst of the Bosnian war in 1993 and won the Oscar and Golden Globe for Best Foreign Language Film, as well as Best Script prizes at the Cannes Film Festival and European Film Awards; the widely acclaimed film received over 40 international awards, making it one of the most awarded first feature films in history. With Cirkus Columbia, one could say that Tanovic has come full circle, giving audiences a glimpse of the before, during, and after of war in that part of the world.

See it at 8:45 PM (Lloyd Mall 6).

(Cirkus Columbia review taken in part from Match Factory)

To Be Heard

To Be Heard, the engrossing documentary of three teens who use spoken word/beat poetry as a catalyst for positive change, will be introduced by director Roland Legiardi-Laura before today’s 2:30pm showing at the Whitsell Auditorium.

Karina, Pearl, and Anthony are three close teenage friends living in the Bronx, New York.  Beyond the daily trials and tribulations of being a teenager, the three friends have something else in common: they are the top talents in a poetry workshop called Power Writing, where they use the spoken word to express love, hope, frustration, anger, and sadness, and to communicate their most profound life experiences creatively. We find ourselves hoping desperately that these three friends will find a way to turn their creative expression into meaningful opportunities, and that the artistic outlets available to them that made this story possible might be made available elsewhere- because as they learned, “If you don’t learn to write your life story, someone else will write it for you.”

Showing at PIFF35 Monday, February 20th, 2012 at 2:30pm (Whitsell Auditorium).

Today at PIFF35

There’s still time to buy your tickets to see some of the most amazing films screening today throughout Portland as part of the NW Film Center’s 35th annual Portland Int’l Film Festival.

There’s the family friendly Tales of the Night, playing at 1pm at the World Trade Center Theater. French animation master Michael Ocelot returns to the same format as his 2000 film Princes And Princesses (Princes Et Princesses), which consisted in a compilation of short fairy tales in silhouette from his short-lived 1989 TV series Cine Si. The six new short stories in Tales of the Night are each gorgeously rendered, told through the use of those lovely, Ocelot trademark silhouettes.

Showing at Cinema 21 at 3pm is Mr. Tree, director Han Jie’s documentary-like film, which is set in the small mining town of Jilin (a northwestern Chinese province bordering North Korea). Lead character Shu (Wang Baoqiang) is a lazy drunk and a danger to himself and others. When he temporarily blinds himself while welding in a garage, his unresolved despair over the brutal death of his older brother begins to surface. Once his sight is restored, Shu takes a joyride with friends to the nearby town of Jitai, where he meets attractive, mute massage-parlor girl Xiaomei (Tan Zhuo). An awkward courtship ensues, and Shu’s attempts to transform himself into marriage material only sow the seeds for greater disaster.

(Mr. Tree review taken in part from Variety).

Las Acacias

Argentina’s Pablo Giorgelli delivers a film that, like any good road trip, unfolds slowly- but by the end, has us wishing it could start all over again. This beautiful film is the winner of the Camera d’Or for Best First Feature at the Cannes Film Festival, and the Premio Horizontes Prize for Best Latin American Film at the San Sebastián International Film Festival.

The story takes place on the long road from Paraguay to Buenos Aire, as Rubén, a truck driver delivering a load of Acacia wood, reluctantly takes Jacinta and her young child Anahí along as a favor for a friend.  As they adjust to each other’s company on the long trip, the words they exchange come few and far between- but despite Rubén’s struggle to accomodate his new travel partner, they slowly grow comfortable with one another, sharing more in their silence than many friends share in hours of conversation. As the miles disappear and their destination grows closer, the pair realizes that they aren’t ready for the journey to end after all.

Showing at PIFF35 Monday, February 13th at 8:45 PM (Lloyd Mall 5), and Wednesday, February 15th, at 8:30 PM (Lake Twin Cinema)

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