AYT #52: Yippee-ki-yay Sightseers

aaSightseersDuo

This week, Joe and Erik talk about why they didn’t see the latest entry in the Die Hard series, A Good Day to Die Hard, and because they didn’t see it, get in to a discussion of the series as a whole. Then it’s on to another PIFF 36 recommendation with the brilliant dark comedy Sightseers. The festival is still going and finishes February 23.

New episodes of Adjust Your Tracking are released every Thursday, so make sure to come back and check out what Joe and Erik are discussing every week. We’d love to hear your feedback in the comments section, or feel free to email adjustyourtracking@gmail.com or follow us on Twitter at twitter.com/adjustyourtrack. We’re on iTunes now, so make sure to subscribe to the show by clicking the link below. Also, leaving reviews and rating the show on iTunes is really helpful in getting more attention and attracting more listeners, so please do so if you like what we do. You can also stream the episode on the embedded player below.

WARNING: Explicit language is used in this podcast.


Subscribe via iTunes

Subscribe via RSS

AYT #51: PIFF Effects

Post-Tenebras-Lux-reygadas-photo-cannes

It’s a packed show this week on AYT. Joe and Erik start out with a review of another Steven Soderbergh film (his last release, apparently), the thriller Side Effects which opens this friday in theaters everywhere. Then it’s on to some PIFF 36 recommendations, as the festival kicked off yesterday and runs until February 23. Next, a chat about the latest series at Cinema 21, Notes From the Underground. And that’s not all, as we have another Laptop Cinema recommendation for you.

New episodes of Adjust Your Tracking are released every Thursday, so make sure to come back and check out what Joe and Erik are discussing every week. We’d love to hear your feedback in the comments section, or feel free to email adjustyourtracking@gmail.com or follow us on Twitter at twitter.com/adjustyourtrack. We’re on iTunes now, so make sure to subscribe to the show by clicking the link below. Also, leaving reviews and rating the show on iTunes is really helpful in getting more attention and attracting more listeners, so please do so if you like what we do. You can also stream the episode on the embedded player below.

WARNING: Explicit language is used in this podcast.


Subscribe via iTunes

Subscribe via RSS

The PIFF 36 Program Has Arrived

With only 2 weeks until the opening of Oregon’s biggest annual film event, requests for peeks inside this year’s 36thPortland International Film Festival (PIFF 36) have reached a fever pitch.  Well, ask and ye shall receive!  Our handsome PIFF 36 programs will be hitting the streets beginning next week.  But, until then, we’re delighted to be able to offer up a downloadable PDF of the full schedule below.  It’s also worth noting that Opening Night tickets are now available here on the PIFF 36 microsite.  The full PIFF 36 microsite and tickets for all Festival showings will be available beginning January 29th.

Want to grab that PIFF 36 PDF?  Click the image below to PIFF36 schedule it:

PIFF36 schedule cover

PIFF 36: Get Ready for Oregon’s Biggest Film Event

PIFF 36 Opening Night film: THE SAPPHIRES

PIFF 36 Opening Night film: THE SAPPHIRES

We’ve just leaked our first big festival news for next year’s 36th Portland International Film Festival.  The festival runs from February 7-23, 2013 and will bring more than 125 features, documentaries, and short films to the Portland area.  Audiences can expect to thrill over cinematic treats from around the world, as well as films made in our own backyard by members of Portland’s thriving filmmaking community.

Among the titles revealed is our opening night presentation, the hit Australian film THE SAPPHIRES, a period piece set in the golden era of rock ‘n’ roll girl groups starring Chris O’Dowd (BRIDESMAIDS, THE IT CROWD).  Check out the other titles we’ve announced by reading the Oregonian article here.  And, of course, keep your eyes on the Newsroom for any future announcements concerning PIFF 36, the School of Film, and our year-round programming.

You’re probably wondering when and where you’ll be able to purchase tickets for next year’s festival.  Festival tickets don’t go on sale until end of January but you can get your PIFF Pass early and beat the crowds! A PIFF pass is a Director Level membership at the NW Film Center. In addition to the benefits of not waiting in Festival lines and getting in free to the Opening Party, you can enjoy cinema year-round and get exclusive invites. Buy your pass today and mark your calendar: http://www.nwfilm.org/donate/silverscreen/join.

Announcing The Alaska Airlines Ticket Winner!

We’re excited to announce Susanne Domhan as the winner of the Alaska Airlines Audience Award ballot drawing. Susanne won a pair of tickets to anywhere Alaska flies! When we got to congratulate Susanne on the good news and asked where the journey might take her, Susanne said, “This came as a total surprise to us and we’ve only begun to ponder the possibilities. The sky is the limit!.”

[Read more...]

Today at PIFF35

As we head into the final weekend of the 35th annual Portland International Film Festival there is still plenty to see. Today alone you can catch ten film screenings. Well, eleven if you count the nineteen minute French short I Could Be Your Grandmother  that screens before Lebanese documentary Grandma, A Thousand Times, both playing at the World Trade Center Theater tonight at 8:45.

Director Mahmoud Kaabour has made an incredibly sweet documentary about his 85 year-old grandmother who is nearing the end of her richly lived life. Having raised a large family, Teta Fatima Kaabour now lives alone in a small and immaculately clean apartment in Beirut. Yet she is still a hookah smoking matriarch, still a sprightly woman who haggles with street vendors and the butcher, commanding respect within her section of old Beirut. Her husband, once a successful violinist but now long deceased, is the indirect source for much of this film, since director Mahmoud Kaabour not only shares his grandfather’s name but also his looks. Exploiting this resemblance throughout, Mr. Kaabour takes on the role of both grandson and grandfather as he gets ready for his wedding day while coming to terms with the reality of his grandmother’s mortality. In Arabic, with English subtitles.

Showing earlier in the day at PIFF35 is The Island President, a film about the (until very recently) President of the Maldives, Mohamed Nasheed (Nasheed was very recently overthrown by those with political ties to the old, tyrannical regime). Having been tortured, imprisoned, and exiled, Nasheed seems unable to stop his international fight against global warming, which threatens the very existence of the 200 islands that make up the Maldives. Watch the trailer below, and then go see the film tonight at 6:15 at the World Trade Center Theater.

Adjust Your Tracking #6: Midnight Marauders

Adjust Your Tracking is the podcast produced through the facilities of the Northwest Film Center Newsroom. The show is hosted by Joe von Appen and Erik McClanahan, and is produced by Jessica Lyness and Laurel Degutis. Opinions expressed are that of the hosts, and not necessarily of the Northwest Film Center. In episode 6, Joe and Erik conclude their coverage of the 35th Portland International Film Festival with three segments, starting things off by digging deep in to a topic that’s near and dear to our black little desensitized hearts, cult fandom and midnight movies. In the second act we review and highly recommend you seek out the British genre mashup shocker “Kill List,” which screens this Friday at 11:30 at Cinema 21, as part of PIFF After Dark. We also have a bonus spoiler section of our chat on this film, which can be found here below the regular episode. After you’ve seen it make sure to come back and give that a listen to hear our thoughts on what actually happens in this insane film. In the last segment, Erik interviews Michael Roskam, the writer/director of the Oscar nominated Beglian film, “Bullhead.”

Don’t forget PIFF ends this Sunday, February 26, the encore screening day. Head to the Film Center Web site for all information on the films and how to purchase tickets in advance. New episodes of AYT are released every Thursday, so make sure to come back and check out what Joe and Erik are discussing every week. We’d love to hear your feedback in the comments section, or feel free to email adjustyourtracking@gmail.com or follow us on Twitter at twitter.com/adjustyourtrack. You can download the podcast by right-clicking the link below and selecting ‘Save Link As…’ Once saved, the show can be played in iTunes or any other mp3 player. Or stream it on the embedded player.

AYT #6


(**Spoilers Below**) Do not listen until you’ve seen “Kill List.” Or if you don’t care and wan’t to know our interpretation of the film, mainly what the ending means, click on the player below. If you agree or disagree with us, please leave a comment.


Cirkus Columbia

The NW Film Center brings director Danis Tanovic’s (Triage, No Man’s Land) sexy, communicative adaptation of Ivica Djikic’s novel Cirkus Columbia to the screen today, February 21st, as part of PIFF 35.

The setting is Bosnia and Herzegovina, 1991. The communists have fallen from power. Divko Buntic returns to the small town where he grew up after a 20-year exile in Germany. With a flashy red Mercedes, a voluptuous young girlfriend named Azra, his lucky black cat Bonny, and a pocketful of Deutschmarks, Divko forcefully evicts his estranged wife Lucija in order to take his home back.

When Bonny the cat disappears, the whole town joins in a frantic search to get the cash reward, simultaneously putting strain on Divko’s fragile relationship with Azra and his attempted reunion with his 20-year-old son Martin. Not so unexpectedly, Azra and Martin are strongly attracted to each other. Disruption and clandestine activities ensue, but while these plot lines unravel daily, everyone seems unaware of the mounting political unrest around them: Croatia has seceded, all Yugoslavs are being forced to take sides, and the Serbs begin bombing Dubrovnik. Although their area is on high alert, many still can’t imagine anyone or anything could divide Bosnia and Herzegovina.

Cirkus Columbia is Danis Tanovic’s most recent film about war and its consequences. It is set in the period before the conflict reaches his native Bosnia & Herzegovina, while his 2009 film Triage dealt with post-war trauma, and his 2001 debut feature No Man’s Land took place in the midst of the Bosnian war in 1993 and won the Oscar and Golden Globe for Best Foreign Language Film, as well as Best Script prizes at the Cannes Film Festival and European Film Awards; the widely acclaimed film received over 40 international awards, making it one of the most awarded first feature films in history. With Cirkus Columbia, one could say that Tanovic has come full circle, giving audiences a glimpse of the before, during, and after of war in that part of the world.

See it at 8:45 PM (Lloyd Mall 6).

(Cirkus Columbia review taken in part from Match Factory)

PIFF Recommendation: “Elena”

A review by Adjust Your Tracking co-host Erik McClanahan, previously published at The Playlist on Indiewire.

There are fewer things in cinema more satisfying than a filmmaker in total control of their story. Sure, we love the visceral thrill of a well-choreographed, impeccably staged action sequence as much as the next red-blooded human being. And there’s the perfect combination of song/score over moving images, blissful moments heightened through all the tools available in the medium. But those rare moments when a film has just begun, and the feeling sets in immediately that you’re in good hands; that no matter what happens in this film, you can trust the filmmaker has thought everything through and knows what he or she is doing.  It’s a good feeling. Comforting even. But it’s rare.

[Read more...]

Today at PIFF35

There’s still time to buy your tickets to see some of the most amazing films screening today throughout Portland as part of the NW Film Center’s 35th annual Portland Int’l Film Festival.

There’s the family friendly Tales of the Night, playing at 1pm at the World Trade Center Theater. French animation master Michael Ocelot returns to the same format as his 2000 film Princes And Princesses (Princes Et Princesses), which consisted in a compilation of short fairy tales in silhouette from his short-lived 1989 TV series Cine Si. The six new short stories in Tales of the Night are each gorgeously rendered, told through the use of those lovely, Ocelot trademark silhouettes.

Showing at Cinema 21 at 3pm is Mr. Tree, director Han Jie’s documentary-like film, which is set in the small mining town of Jilin (a northwestern Chinese province bordering North Korea). Lead character Shu (Wang Baoqiang) is a lazy drunk and a danger to himself and others. When he temporarily blinds himself while welding in a garage, his unresolved despair over the brutal death of his older brother begins to surface. Once his sight is restored, Shu takes a joyride with friends to the nearby town of Jitai, where he meets attractive, mute massage-parlor girl Xiaomei (Tan Zhuo). An awkward courtship ensues, and Shu’s attempts to transform himself into marriage material only sow the seeds for greater disaster.

(Mr. Tree review taken in part from Variety).

Follow

Get every new post delivered to your Inbox.

Join 44 other followers